bad girls and crimson lads

Astrology can be a very rewarding study, as it deals in a psychological language that subjectively correlates with our inner and outer lives. It does this in a way which is not rationally explainable, but due to its potency it seems to dig down into Nature. For the receptive astrologer it can illuminate principles that structure experience, and elements of identity in a luminous manner. It is not a science, nor a rational study, but it is real in the same sense that poetry and artistic meaning are. Its archaic interaction with our lives is one of the reasons I consider it akin to magick and divination. Magick and astrology both inhabit an intermediate, ensouled world between matter, body and psyche.

Astrology uses the planets and other astronomical bodies, and associates these with principles which it links to the gods of mythology (most commonly, though not exclusively Roman). These might not be understood in the way that a hard polytheist would, but they nevertheless carry an influence which can follow mythological themes and structures, in poetic recombinations. This is why exploring your natal chart can almost seem like the discovery of your own, personal sacred themes, as if you were discovering an unwritten mythology, which yet resonates with larger themes, but without absorbing or replacing the individual life and its meaning.

I’ve had some interesting experiences with this kind of thing. One of the challenges in my own chart lies in a square (90° aspect) I have between The Moon and Venus (the latter being on the IC). The square is generally consider a “difficult” or challenging aspect, as the planetary energies have conflicting modes of expression, due to the signs they are in. So for instance one may express impulsively and spontaneously, and the other express cautiously and sensitively, but being linked, they have to learn how to get the combinations of their energies “right”. In the case of the Moon and Venus, these are both archetypally feminine energies, and very compatible simply as energies, but the square aspect creates an awkwardness, with my responsive and reflective, receptive Moon nature being independent and spontaneous, and my more romantic, sensual and relating nature being protective and nurturing. I’m very Moon-Venus by nature, but it takes work to understand my own awkwardnesses and sensitivities, insecurities etc.

The challenge is further elucidated by my Moon being conjunct both Eris and Black Moon Lilith*. It’s important for me to be able to reconcile both my Venus (which is also my chart ruler) and the complex of Moon, Black Moon and Eris, for me to be myself most deeply, and have a full life where I fulfil my nature and “purpose”.

Recognising the necessary relationship (for squares are powerful relationships, and as necessary as any other) between Black Moon Lilith/Moon and Venus has itself been very important for me in understanding myself. Darkstar Astrology says the following about the conjunction:

“Moon conjunct Lilith fuses two ‘moons’ together. So we get the mother and the anti-mother in one being. I think it becomes rather like the Black Madonna, it is extra potent and a Virgo archetype. This combination has to successfully merge the paradox of the virgin and the whore or the very worst manifestation of Lilith can surface. At its best this is sheer priestess and occult ability at the highest level. The conjunction can work as a hard or soft aspect, so when it is good it is very good, but when it is bad it is terrible”

Darkstar Astrology

Yup, I get that. In fact it’s been one of the themes of my life, first surviving (in my earlier life), and then understanding this, and its meaning for me.

The connection with this in perception came about after I had come to relate to a deity that isn’t found in astrology at present though, the Thelemic goddess Babalon. This itself was accompanied by events in my life, which led me to search inwardly. Our lives are driven from deep within us at crucial points. Babalon is based upon a reinterpretation of The Whore of Babylon, and she is both a Venusian goddess, and also a transformative spiritual agent with “demonic” (or daemonic) associations. The above mentioned merging of “the paradox of the virgin and whore” is apparent in her qualities, for she is both deeply sexual and powerfully spiritual, and evokes Virgo’s self-possession, but with Scorpio’s transformative and taboo inheritance thrown in.

I knew Babalon was important to the person I most deeply was, and knew I had to become. Now I can see it in my natal chart, and the patterns fall into place still more. Love, nurturance, sexuality, spiritual transformation and the most raw forces of life and desire are all called forth, to confront shadow, and truly love.

Virgo and Scorpio are placed either side of Libra, the Venusian sign most associated with relationship and balance. In terms of astrological rulerships of signs, we have the planets Venus and Mars, combined under the auspices of Mercury/Hermes.

Babalon is an archetype of the “Scarlet Woman” in Crowley’s system, but this same energy can and does manifest through males. I like to call the male counterpart “crimson lads”, but that’s just a little poetic license.

In astrology, if you follow intuition, feeling, instinct and creativity, you can come to listen to its language more personally. At the right time, this can help to illuminate our authentic experience and natures.

septagram1

Star of Babalon

* I’ve written before on the subject of Black Moon Lilith, and this “imaginary Earth” is a fascinating astrological point that can resonate on many levels.

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